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X-ORIGINAL-URL:https://bluellamaclub.com
X-WR-CALDESC:Events for Blue LLama
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260815T190000
DTEND;TZID=America/Detroit:20260815T220000
DTSTAMP:20260603T182409Z
CREATED:20260603T182409Z
LAST-MODIFIED:20260603T182409Z
UID:10000335-1786820400-1786831200@bluellamaclub.com
SUMMARY:Kevin Jones and Tenth World
DESCRIPTION:Sat | Dec 27	\n\n	\n		\n		Ralphe Armstrong Trio\n	\n	\n\n\n	\n		\n	Sets at 6:30pm & 8:30pm | $25 Cover \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Ralphe Armstrong got an early start in the music business. In 1973\, Armstrong\, a 17-year old Detroit kid just out of high school\, tried out for and landed a gig with John McLaughlin’s Mahavishnu Orchestra. The other person who auditioned at the same time was Jaco Pastorius. “Jaco had a different sound then\, he had an old beat up fretted Fender Precision\, I got the job because I played fretless\,” remembers Ralphe. Ralphe was classically trained during his four years at Michigan’s Interlochen School of Fine Arts\, where he studied the Josef Harvey method. Later\, he transferred his acoustic technique to electric while also putting up some ferocious funk on a trio of powerful mid-70’s Mahavishnu recordings: Apocalypse\, Visions of the Emerald Beyond\, and Inner Worlds. \n“If you’re going from the double bass to the electric\, you have to know the technique in order to figure out arpeggios and come up with fingerings\,” Ralphe maintains. “You can’t just look at a composition and make it musical without coming up with some kind of constructive fingering that makes it musical. That’s what I teach today.” \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/kevin-jones-tenth-world/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/05/kevin-jones.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260816T180000
DTEND;TZID=America/Detroit:20260816T210000
DTSTAMP:20260622T171340Z
CREATED:20260618T132350Z
LAST-MODIFIED:20260622T171340Z
UID:10000345-1786903200-1786914000@bluellamaclub.com
SUMMARY:Braxton Cook
DESCRIPTION:Sat | Dec 27	\n\n	\n		\n		Ralphe Armstrong Trio\n	\n	\n\n\n	\n		\n	Sets at 6:30pm & 8:30pm | $25 Cover \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Ralphe Armstrong got an early start in the music business. In 1973\, Armstrong\, a 17-year old Detroit kid just out of high school\, tried out for and landed a gig with John McLaughlin’s Mahavishnu Orchestra. The other person who auditioned at the same time was Jaco Pastorius. “Jaco had a different sound then\, he had an old beat up fretted Fender Precision\, I got the job because I played fretless\,” remembers Ralphe. Ralphe was classically trained during his four years at Michigan’s Interlochen School of Fine Arts\, where he studied the Josef Harvey method. Later\, he transferred his acoustic technique to electric while also putting up some ferocious funk on a trio of powerful mid-70’s Mahavishnu recordings: Apocalypse\, Visions of the Emerald Beyond\, and Inner Worlds. \n“If you’re going from the double bass to the electric\, you have to know the technique in order to figure out arpeggios and come up with fingerings\,” Ralphe maintains. “You can’t just look at a composition and make it musical without coming up with some kind of constructive fingering that makes it musical. That’s what I teach today.” \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/braxton-cook/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/06/braxton-cook.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260823T180000
DTEND;TZID=America/Detroit:20260823T203000
DTSTAMP:20260618T152031Z
CREATED:20260618T152031Z
LAST-MODIFIED:20260618T152031Z
UID:10000346-1787508000-1787517000@bluellamaclub.com
SUMMARY:Sunny Wilkinson Jazz Quartet
DESCRIPTION:Sat | Dec 27	\n\n	\n		\n		Ralphe Armstrong Trio\n	\n	\n\n\n	\n		\n	Sets at 6:30pm & 8:30pm | $25 Cover \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Ralphe Armstrong got an early start in the music business. In 1973\, Armstrong\, a 17-year old Detroit kid just out of high school\, tried out for and landed a gig with John McLaughlin’s Mahavishnu Orchestra. The other person who auditioned at the same time was Jaco Pastorius. “Jaco had a different sound then\, he had an old beat up fretted Fender Precision\, I got the job because I played fretless\,” remembers Ralphe. Ralphe was classically trained during his four years at Michigan’s Interlochen School of Fine Arts\, where he studied the Josef Harvey method. Later\, he transferred his acoustic technique to electric while also putting up some ferocious funk on a trio of powerful mid-70’s Mahavishnu recordings: Apocalypse\, Visions of the Emerald Beyond\, and Inner Worlds. \n“If you’re going from the double bass to the electric\, you have to know the technique in order to figure out arpeggios and come up with fingerings\,” Ralphe maintains. “You can’t just look at a composition and make it musical without coming up with some kind of constructive fingering that makes it musical. That’s what I teach today.” \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/sunny-wilkinson-jazz-quartet/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/sunny-wilkinson.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260826T190000
DTEND;TZID=America/Detroit:20260826T213000
DTSTAMP:20260612T150003Z
CREATED:20260612T150003Z
LAST-MODIFIED:20260612T150003Z
UID:10000344-1787770800-1787779800@bluellamaclub.com
SUMMARY:Aya Sekine Trio
DESCRIPTION:Sat | Dec 27	\n\n	\n		\n		Ralphe Armstrong Trio\n	\n	\n\n\n	\n		\n	Sets at 6:30pm & 8:30pm | $25 Cover \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Ralphe Armstrong got an early start in the music business. In 1973\, Armstrong\, a 17-year old Detroit kid just out of high school\, tried out for and landed a gig with John McLaughlin’s Mahavishnu Orchestra. The other person who auditioned at the same time was Jaco Pastorius. “Jaco had a different sound then\, he had an old beat up fretted Fender Precision\, I got the job because I played fretless\,” remembers Ralphe. Ralphe was classically trained during his four years at Michigan’s Interlochen School of Fine Arts\, where he studied the Josef Harvey method. Later\, he transferred his acoustic technique to electric while also putting up some ferocious funk on a trio of powerful mid-70’s Mahavishnu recordings: Apocalypse\, Visions of the Emerald Beyond\, and Inner Worlds. \n“If you’re going from the double bass to the electric\, you have to know the technique in order to figure out arpeggios and come up with fingerings\,” Ralphe maintains. “You can’t just look at a composition and make it musical without coming up with some kind of constructive fingering that makes it musical. That’s what I teach today.” \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/aya-sekine-trio-3/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/11/Aya-Sekine-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260827T190000
DTEND;TZID=America/Detroit:20260827T213000
DTSTAMP:20260603T182545Z
CREATED:20260603T182545Z
LAST-MODIFIED:20260603T182545Z
UID:10000336-1787857200-1787866200@bluellamaclub.com
SUMMARY:Stephen Rush Trio
DESCRIPTION:Sat | Dec 27	\n\n	\n		\n		Ralphe Armstrong Trio\n	\n	\n\n\n	\n		\n	Sets at 6:30pm & 8:30pm | $25 Cover \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Ralphe Armstrong got an early start in the music business. In 1973\, Armstrong\, a 17-year old Detroit kid just out of high school\, tried out for and landed a gig with John McLaughlin’s Mahavishnu Orchestra. The other person who auditioned at the same time was Jaco Pastorius. “Jaco had a different sound then\, he had an old beat up fretted Fender Precision\, I got the job because I played fretless\,” remembers Ralphe. Ralphe was classically trained during his four years at Michigan’s Interlochen School of Fine Arts\, where he studied the Josef Harvey method. Later\, he transferred his acoustic technique to electric while also putting up some ferocious funk on a trio of powerful mid-70’s Mahavishnu recordings: Apocalypse\, Visions of the Emerald Beyond\, and Inner Worlds. \n“If you’re going from the double bass to the electric\, you have to know the technique in order to figure out arpeggios and come up with fingerings\,” Ralphe maintains. “You can’t just look at a composition and make it musical without coming up with some kind of constructive fingering that makes it musical. That’s what I teach today.” \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/stephen-rush-trio/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/05/stephen-rush.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260828T190000
DTEND;TZID=America/Detroit:20260828T220000
DTSTAMP:20260618T142921Z
CREATED:20260603T182709Z
LAST-MODIFIED:20260618T142921Z
UID:10000337-1787943600-1787954400@bluellamaclub.com
SUMMARY:Xavier Davis Quartet
DESCRIPTION:Sat | Dec 27	\n\n	\n		\n		Ralphe Armstrong Trio\n	\n	\n\n\n	\n		\n	Sets at 6:30pm & 8:30pm | $25 Cover \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Ralphe Armstrong got an early start in the music business. In 1973\, Armstrong\, a 17-year old Detroit kid just out of high school\, tried out for and landed a gig with John McLaughlin’s Mahavishnu Orchestra. The other person who auditioned at the same time was Jaco Pastorius. “Jaco had a different sound then\, he had an old beat up fretted Fender Precision\, I got the job because I played fretless\,” remembers Ralphe. Ralphe was classically trained during his four years at Michigan’s Interlochen School of Fine Arts\, where he studied the Josef Harvey method. Later\, he transferred his acoustic technique to electric while also putting up some ferocious funk on a trio of powerful mid-70’s Mahavishnu recordings: Apocalypse\, Visions of the Emerald Beyond\, and Inner Worlds. \n“If you’re going from the double bass to the electric\, you have to know the technique in order to figure out arpeggios and come up with fingerings\,” Ralphe maintains. “You can’t just look at a composition and make it musical without coming up with some kind of constructive fingering that makes it musical. That’s what I teach today.” \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/xavier-davis-quartet/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/05/xavier-davis.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260829T190000
DTEND;TZID=America/Detroit:20260829T213000
DTSTAMP:20260603T182814Z
CREATED:20260603T182814Z
LAST-MODIFIED:20260603T182814Z
UID:10000339-1788030000-1788039000@bluellamaclub.com
SUMMARY:Ben Paterson Organ Trio ft. Randy Napoleon
DESCRIPTION:Sat | Dec 27	\n\n	\n		\n		Ralphe Armstrong Trio\n	\n	\n\n\n	\n		\n	Sets at 6:30pm & 8:30pm | $25 Cover \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Ralphe Armstrong got an early start in the music business. In 1973\, Armstrong\, a 17-year old Detroit kid just out of high school\, tried out for and landed a gig with John McLaughlin’s Mahavishnu Orchestra. The other person who auditioned at the same time was Jaco Pastorius. “Jaco had a different sound then\, he had an old beat up fretted Fender Precision\, I got the job because I played fretless\,” remembers Ralphe. Ralphe was classically trained during his four years at Michigan’s Interlochen School of Fine Arts\, where he studied the Josef Harvey method. Later\, he transferred his acoustic technique to electric while also putting up some ferocious funk on a trio of powerful mid-70’s Mahavishnu recordings: Apocalypse\, Visions of the Emerald Beyond\, and Inner Worlds. \n“If you’re going from the double bass to the electric\, you have to know the technique in order to figure out arpeggios and come up with fingerings\,” Ralphe maintains. “You can’t just look at a composition and make it musical without coming up with some kind of constructive fingering that makes it musical. That’s what I teach today.” \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/ben-paterson-organ-trio-ft-randy-napoleon/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/06/ben-paterson.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260830T180000
DTEND;TZID=America/Detroit:20260830T203000
DTSTAMP:20260603T183045Z
CREATED:20260603T183045Z
LAST-MODIFIED:20260603T183045Z
UID:10000340-1788112800-1788121800@bluellamaclub.com
SUMMARY:Alonso Umana Quartet
DESCRIPTION:Sat | Dec 27	\n\n	\n		\n		Ralphe Armstrong Trio\n	\n	\n\n\n	\n		\n	Sets at 6:30pm & 8:30pm | $25 Cover \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Ralphe Armstrong got an early start in the music business. In 1973\, Armstrong\, a 17-year old Detroit kid just out of high school\, tried out for and landed a gig with John McLaughlin’s Mahavishnu Orchestra. The other person who auditioned at the same time was Jaco Pastorius. “Jaco had a different sound then\, he had an old beat up fretted Fender Precision\, I got the job because I played fretless\,” remembers Ralphe. Ralphe was classically trained during his four years at Michigan’s Interlochen School of Fine Arts\, where he studied the Josef Harvey method. Later\, he transferred his acoustic technique to electric while also putting up some ferocious funk on a trio of powerful mid-70’s Mahavishnu recordings: Apocalypse\, Visions of the Emerald Beyond\, and Inner Worlds. \n“If you’re going from the double bass to the electric\, you have to know the technique in order to figure out arpeggios and come up with fingerings\,” Ralphe maintains. “You can’t just look at a composition and make it musical without coming up with some kind of constructive fingering that makes it musical. That’s what I teach today.” \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/alonso-umana-quartet-1/
ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/alonso.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20261011T180000
DTEND;TZID=America/Detroit:20261011T213000
DTSTAMP:20260608T160326Z
CREATED:20260608T160326Z
LAST-MODIFIED:20260608T160326Z
UID:10000324-1791741600-1791754200@bluellamaclub.com
SUMMARY:Joshua Redman Quartet
DESCRIPTION:Sat | Dec 27	\n\n	\n		\n		Ralphe Armstrong Trio\n	\n	\n\n\n	\n		\n	Sets at 6:30pm & 8:30pm | $25 Cover \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Ralphe Armstrong got an early start in the music business. In 1973\, Armstrong\, a 17-year old Detroit kid just out of high school\, tried out for and landed a gig with John McLaughlin’s Mahavishnu Orchestra. The other person who auditioned at the same time was Jaco Pastorius. “Jaco had a different sound then\, he had an old beat up fretted Fender Precision\, I got the job because I played fretless\,” remembers Ralphe. Ralphe was classically trained during his four years at Michigan’s Interlochen School of Fine Arts\, where he studied the Josef Harvey method. Later\, he transferred his acoustic technique to electric while also putting up some ferocious funk on a trio of powerful mid-70’s Mahavishnu recordings: Apocalypse\, Visions of the Emerald Beyond\, and Inner Worlds. \n“If you’re going from the double bass to the electric\, you have to know the technique in order to figure out arpeggios and come up with fingerings\,” Ralphe maintains. “You can’t just look at a composition and make it musical without coming up with some kind of constructive fingering that makes it musical. That’s what I teach today.” \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/joshua-redman-quartet/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/05/joshua-redman.png
END:VEVENT
END:VCALENDAR