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DTSTART;TZID=America/Detroit:20250803T180000
DTEND;TZID=America/Detroit:20250803T203000
DTSTAMP:20260425T182837
CREATED:20250707T135613Z
LAST-MODIFIED:20250729T150826Z
UID:10000035-1754244000-1754253000@bluellamaclub.com
SUMMARY:Paul Vornhagen Quartet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/paul-vornhagen-quartet/
ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/IMG_9662.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250802T221500
DTEND;TZID=America/Detroit:20250802T233000
DTSTAMP:20260425T182837
CREATED:20250725T153621Z
LAST-MODIFIED:20250729T151048Z
UID:10000068-1754172900-1754177400@bluellamaclub.com
SUMMARY:LATE NIGHT: Jauron Perry Quartet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/jauron-perry-quartet/
ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/Screenshot-2025-07-25-at-11.32.24 AM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250802T183000
DTEND;TZID=America/Detroit:20250802T213000
DTSTAMP:20260425T182837
CREATED:20250710T205356Z
LAST-MODIFIED:20250729T151357Z
UID:10000042-1754159400-1754170200@bluellamaclub.com
SUMMARY:Russ Macklem Detroit Quintet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/russ-macklem-detroit-quintet/
ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/RussMacklemCOLOR-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250801T190000
DTEND;TZID=America/Detroit:20250801T220000
DTSTAMP:20260425T182837
CREATED:20250710T204022Z
LAST-MODIFIED:20250729T151517Z
UID:10000041-1754074800-1754085600@bluellamaclub.com
SUMMARY:Caleb Robinson & Reaching
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/caleb-robinson-reaching/
ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/Caleb-Robinson.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250731T190000
DTEND;TZID=America/Detroit:20250731T213000
DTSTAMP:20260425T182837
CREATED:20250629T215632Z
LAST-MODIFIED:20250729T151720Z
UID:10000033-1753988400-1753997400@bluellamaclub.com
SUMMARY:Kevin Brewster & Black Renaissance
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/kevin-brewster-black-renaissance/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/IMG_6604_1.jpeg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250730T190000
DTEND;TZID=America/Detroit:20250730T213000
DTSTAMP:20260425T182837
CREATED:20250629T215236Z
LAST-MODIFIED:20250729T151949Z
UID:10000032-1753902000-1753911000@bluellamaclub.com
SUMMARY:Mercer Patterson Quintet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/mercer-patterson-quintet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/MercerPattersonBNW.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250727T180000
DTEND;TZID=America/Detroit:20250727T203000
DTSTAMP:20260425T182837
CREATED:20250619T220040Z
LAST-MODIFIED:20250723T202742Z
UID:10000030-1753639200-1753648200@bluellamaclub.com
SUMMARY:GSL Trio ft. Gayelynn McKinney\, Laura-Simone & Redwood
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/gsl-trio-ft-gayelynn-mckinney-laura-simone-redwood/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/GayelynnMcKinneyBNW_copy.png.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250726T223000
DTEND;TZID=America/Detroit:20250726T234500
DTSTAMP:20260425T182837
CREATED:20250619T215306Z
LAST-MODIFIED:20250725T170635Z
UID:10000029-1753569000-1753573500@bluellamaclub.com
SUMMARY:Christopher Minami Trio
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/christopher-minami-trio/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/ChistopherMinamiBNW.png.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250726T183000
DTEND;TZID=America/Detroit:20250726T213000
DTSTAMP:20260425T182837
CREATED:20250619T215021Z
LAST-MODIFIED:20250723T202935Z
UID:10000028-1753554600-1753565400@bluellamaclub.com
SUMMARY:Nick Collins Sextet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/nick-collins-sextet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/05/JD2_9169-Enhanced-RD-NR-X5.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250725T190000
DTEND;TZID=America/Detroit:20250725T220000
DTSTAMP:20260425T182837
CREATED:20250619T214655Z
LAST-MODIFIED:20250723T203028Z
UID:10000027-1753470000-1753480800@bluellamaclub.com
SUMMARY:Allen Dennard Quintet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/allen-dennard-quintet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/AllenDennardBNW.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250724T190000
DTEND;TZID=America/Detroit:20250724T213000
DTSTAMP:20260425T182837
CREATED:20250710T202833Z
LAST-MODIFIED:20250710T202833Z
UID:10000040-1753383600-1753392600@bluellamaclub.com
SUMMARY:Jasmine Wesley
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/jasmine-wesley/
ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/Favorite-3.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250723T190000
DTEND;TZID=America/Detroit:20250723T213000
DTSTAMP:20260425T182837
CREATED:20250619T214309Z
LAST-MODIFIED:20250702T161823Z
UID:10000026-1753297200-1753306200@bluellamaclub.com
SUMMARY:Steve Lucky & the Rhumba Bums ft. Miss Carmen Getit
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/steve-lucky-the-rhumba-bums-ft-miss-carmen-getit/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/SteveLuckyBNW.JPG-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250720T180000
DTEND;TZID=America/Detroit:20250720T203000
DTSTAMP:20260425T182837
CREATED:20250619T213953Z
LAST-MODIFIED:20250715T132016Z
UID:10000025-1753034400-1753043400@bluellamaclub.com
SUMMARY:Sean Dobbins Quartet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/sean-dobbins-quartet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/SeanDobbinsBNW.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250719T183000
DTEND;TZID=America/Detroit:20250719T213000
DTSTAMP:20260425T182837
CREATED:20250619T213732Z
LAST-MODIFIED:20250711T173544Z
UID:10000024-1752949800-1752960600@bluellamaclub.com
SUMMARY:The Lunar Octet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/the-lunar-octet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/LunarOctetBNW.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250718T190000
DTEND;TZID=America/Detroit:20250718T220000
DTSTAMP:20260425T182837
CREATED:20250619T213406Z
LAST-MODIFIED:20250711T173537Z
UID:10000023-1752865200-1752876000@bluellamaclub.com
SUMMARY:Wyatt Forhan Sextet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/wyatt-forhan-sextet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/WyattForhanBNW.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250717T190000
DTEND;TZID=America/Detroit:20250717T213000
DTSTAMP:20260425T182837
CREATED:20250619T212824Z
LAST-MODIFIED:20250703T165344Z
UID:10000022-1752778800-1752787800@bluellamaclub.com
SUMMARY:Nate Topo Quartet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/nate-topo-quartet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/NateTopoBNW.png.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250716T190000
DTEND;TZID=America/Detroit:20250716T213000
DTSTAMP:20260425T182837
CREATED:20250619T212616Z
LAST-MODIFIED:20250703T165117Z
UID:10000021-1752692400-1752701400@bluellamaclub.com
SUMMARY:Max Bowen Quartet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/max-bowen-quartet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/MaxBowenBNW.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250713T180000
DTEND;TZID=America/Detroit:20250713T203000
DTSTAMP:20260425T182837
CREATED:20250619T212323Z
LAST-MODIFIED:20250702T161558Z
UID:10000020-1752429600-1752438600@bluellamaclub.com
SUMMARY:Marlena Studer's Jazz Ensemble
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/marlena-studers-jazz-ensemble/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/Marlena-Studer-BNW2.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250712T223000
DTEND;TZID=America/Detroit:20250712T234500
DTSTAMP:20260425T182837
CREATED:20250619T211747Z
LAST-MODIFIED:20250703T155833Z
UID:10000019-1752359400-1752363900@bluellamaclub.com
SUMMARY:LATE NIGHT: Sam Gucwa Quartet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/late-night-sam-gucwa-quartet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/SamGucwaBNW.jpeg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250712T183000
DTEND;TZID=America/Detroit:20250712T213000
DTSTAMP:20260425T182837
CREATED:20250619T211338Z
LAST-MODIFIED:20250711T173508Z
UID:10000018-1752345000-1752355800@bluellamaclub.com
SUMMARY:Olivia Van Goor Quartet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/olivia-van-goor-quartet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/OliviaVanoorBNW2.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250711T190000
DTEND;TZID=America/Detroit:20250711T220000
DTSTAMP:20260425T182837
CREATED:20250619T210911Z
LAST-MODIFIED:20250725T182457Z
UID:10000017-1752260400-1752271200@bluellamaclub.com
SUMMARY:Kasan Belgrave Quartet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/kasan-belgrave-quartet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/KasanBelgrave-Newcropped.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250710T190000
DTEND;TZID=America/Detroit:20250710T213000
DTSTAMP:20260425T182837
CREATED:20250619T210639Z
LAST-MODIFIED:20250702T161208Z
UID:10000016-1752174000-1752183000@bluellamaclub.com
SUMMARY:Arnold-Jassi-Kramer: World Transcendance
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/arnold-jassi-kramer-world-transcendance/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/ArnoldJassiKramerBNW.png.jpg-sqLg-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250709T190000
DTEND;TZID=America/Detroit:20250709T213000
DTSTAMP:20260425T182837
CREATED:20250612T155222Z
LAST-MODIFIED:20250811T181357Z
UID:10000005-1752087600-1752096600@bluellamaclub.com
SUMMARY:Tiffany Gridiron Trio
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/tiffany-gridiron-trio/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/TiffanyGridironBNW.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250703T190000
DTEND;TZID=America/Detroit:20250703T213000
DTSTAMP:20260425T182837
CREATED:20250619T210118Z
LAST-MODIFIED:20250702T161125Z
UID:10000015-1751569200-1751578200@bluellamaclub.com
SUMMARY:Nicole Heitger Quartet
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/nicole-heitger-quartet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/NicoleHeitgerBNW2.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20250702T190000
DTEND;TZID=America/Detroit:20250702T213000
DTSTAMP:20260425T182837
CREATED:20250629T211716Z
LAST-MODIFIED:20250702T161106Z
UID:10000031-1751482800-1751491800@bluellamaclub.com
SUMMARY:Cliff Monear Trio
DESCRIPTION:SUN | Aug 10	\n\n	\n		\n		Marquis Hill\n	\n	\n\n\n	\n		\n	Doors 5pm | Show 6 | $45 Cover or $95 Dinner & Show\nDoors 8pm | Show 8:30 | $45 Cover or $95 Dinner & Show \n\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n		About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	Marquis Hill-Trumpet\nGreg Ward - Alto Saxophone\nEmmanuel Michael-Guitar\nJunius Paul -Bass\nMakaya McCraven - Drums \nFrom his beginnings as one of Chicago’s most thrilling young trumpeters\, to his current status as an internationally renowned musician\, composer and bandleader\, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz\, hip-hop\, R&B\, Chicago house\, neo-soul—to Hill\, they’re all essential elements of the profound African American creative heritage he’s a part of. “It all comes from the same tree\,” he says. “They simply blossomed from different branches.” \nThat mission to bring styles together\, complemented by Hill’s absolute mastery of his instrument\, is a through line connecting his many achievements. It can be heard on his latest album\, Modern Flows Vol. II\, with its seamless blend of jazz interplay\, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play\, his Concord Jazz debut from 2016\, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014\, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group\, the Blacktet\, which the Chicago Tribune called “a remarkably polished\, immensely attractive ensemble.” \nFor Hill\, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music\,” he says. “I came up in a household where my mom played Motown\, R&B\, Isley Brothers\, Barry White\, Marvin Gaye. Then I received my first jazz record\, by Lee Morgan\, and that was added to the collection. ... I truly believe that the music is all the same.” \nBorn in Chicago in 1987 and raised on the city’s culturally rich South Side\, Hill began playing drums at age 4\, before switching to trumpet in the 6th grade. He attended high school at Kenwood Academy\, excelling in its revered jazz-performance program\, and was mentored by Bobby Broom\, Willie Pickens\, Tito Carrillo and other Chicago greats through the Ravinia Jazz Scholars program. \n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n					\n	\n	\n\n\n	\n		\n			\n							RESERVE TABLE\n					\n\n	\n\n\n\n	\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/cliff-monear-trio/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/cliff-monear.webp
END:VEVENT
END:VCALENDAR