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DTSTART;TZID=America/Detroit:20260403T190000
DTEND;TZID=America/Detroit:20260403T220000
DTSTAMP:20260326T183235Z
CREATED:20260129T153042Z
LAST-MODIFIED:20260326T183235Z
UID:10000249-1775242800-1775253600@bluellamaclub.com
SUMMARY:Rodney Whitaker Group
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/rodney-whitaker-group-2/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/08/rodney-whitaker-group.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260403T160000
DTEND;TZID=America/Detroit:20260403T180000
DTSTAMP:20260203T181338Z
CREATED:20260203T181338Z
LAST-MODIFIED:20260203T181338Z
UID:10000229-1775232000-1775239200@bluellamaclub.com
SUMMARY:WEMU 5:01 Jazz Series: Dave Sharp Worlds Quartet
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/501-dave-sharp-worlds-quartet/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/02/11-30-2023-Dave-Sharp-Worlds-Quartet-sq-thumb-for-PM.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260402T190000
DTEND;TZID=America/Detroit:20260402T210000
DTSTAMP:20260203T180927Z
CREATED:20260203T180927Z
LAST-MODIFIED:20260203T180927Z
UID:10000259-1775156400-1775163600@bluellamaclub.com
SUMMARY:Ari and Cecil Alexander Quartet
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/ari-cecil-alexander-quartet/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/02/ari-cecil.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260401T190000
DTEND;TZID=America/Detroit:20260401T213000
DTSTAMP:20260226T184917Z
CREATED:20260226T151621Z
LAST-MODIFIED:20260226T184917Z
UID:10000287-1775070000-1775079000@bluellamaclub.com
SUMMARY:Big Tent ft. Wayne Gerard
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/big-tent-ft-wayne-gerard/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/02/Wayne-Gerard-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260329T180000
DTEND;TZID=America/Detroit:20260329T203000
DTSTAMP:20260119T174453Z
CREATED:20251217T203525Z
LAST-MODIFIED:20260119T174453Z
UID:10000228-1774807200-1774816200@bluellamaclub.com
SUMMARY:Paul Vornhagen Quartet
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/paul-vornhagen-quartet-2/
ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/IMG_9662.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260328T190000
DTEND;TZID=America/Detroit:20260328T213000
DTSTAMP:20260127T174826Z
CREATED:20251217T184748Z
LAST-MODIFIED:20260127T174826Z
UID:10000227-1774724400-1774733400@bluellamaclub.com
SUMMARY:Joan Belgrave
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/joan-belgrave/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/Joan-Belgrave.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260327T190000
DTEND;TZID=America/Detroit:20260327T213000
DTSTAMP:20260119T174214Z
CREATED:20251217T183857Z
LAST-MODIFIED:20260119T174214Z
UID:10000226-1774638000-1774647000@bluellamaclub.com
SUMMARY:Sean Dobbins Organ Trio ft. Dana Badcock
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/sean-dobbins-4/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/SeanDobbinsBNW.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260325T190000
DTEND;TZID=America/Detroit:20260325T213000
DTSTAMP:20260119T174023Z
CREATED:20251217T183533Z
LAST-MODIFIED:20260119T174023Z
UID:10000225-1774465200-1774474200@bluellamaclub.com
SUMMARY:Gwenyth Hayes Trio
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/gwenyth-hayes-trio/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/gwenyth-hayes.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260322T180000
DTEND;TZID=America/Detroit:20260322T203000
DTSTAMP:20260211T173430Z
CREATED:20251217T182633Z
LAST-MODIFIED:20260211T173430Z
UID:10000223-1774202400-1774211400@bluellamaclub.com
SUMMARY:Sunny Wilkinson Trio
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/sunny-wilkinson-trio/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/sunny-wilkinson.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260321T190000
DTEND;TZID=America/Detroit:20260321T220000
DTSTAMP:20260312T134058Z
CREATED:20251217T182455Z
LAST-MODIFIED:20260312T134058Z
UID:10000209-1774119600-1774130400@bluellamaclub.com
SUMMARY:Laura Simone Quintet
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/laura-simone-quintet/
ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/laura-simone.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260320T190000
DTEND;TZID=America/Detroit:20260320T220000
DTSTAMP:20260313T134736Z
CREATED:20251226T170628Z
LAST-MODIFIED:20260313T134736Z
UID:10000208-1774033200-1774044000@bluellamaclub.com
SUMMARY:Linda May Han Oh
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/linda-may-han-oh/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/linda-may-han-oh.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260319T190000
DTEND;TZID=America/Detroit:20260319T220000
DTSTAMP:20260119T173802Z
CREATED:20251217T181708Z
LAST-MODIFIED:20260119T173802Z
UID:10000207-1773946800-1773957600@bluellamaclub.com
SUMMARY:Randy Napoleon
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/randy-napoleon/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/randy-napoleon.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260318T190000
DTEND;TZID=America/Detroit:20260318T213000
DTSTAMP:20260119T173733Z
CREATED:20251217T181619Z
LAST-MODIFIED:20260119T173733Z
UID:10000224-1773860400-1773869400@bluellamaclub.com
SUMMARY:Lisa Sung Quartet
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/lisa-sung-quartet/
ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/lisa-sung-piano.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260315T180000
DTEND;TZID=America/Detroit:20260315T203000
DTSTAMP:20260225T183253Z
CREATED:20251217T180905Z
LAST-MODIFIED:20260225T183253Z
UID:10000206-1773597600-1773606600@bluellamaclub.com
SUMMARY:Rick Roe Trio
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/rick-roe-trio-3/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/08/rick-roe.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260314T190000
DTEND;TZID=America/Detroit:20260314T220000
DTSTAMP:20260310T191549Z
CREATED:20251226T170840Z
LAST-MODIFIED:20260310T191549Z
UID:10000205-1773514800-1773525600@bluellamaclub.com
SUMMARY:Immanuel Wilkins Quartet
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/immanuel-wilkins/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/immanuel-wilkins.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260313T190000
DTEND;TZID=America/Detroit:20260313T220000
DTSTAMP:20260217T144152Z
CREATED:20251217T180756Z
LAST-MODIFIED:20260217T144152Z
UID:10000204-1773428400-1773439200@bluellamaclub.com
SUMMARY:Pamela Wise & Naima Shambourger: Celebrating Women in Jazz
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/pamela-wise/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/pamela-wise.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260312T190000
DTEND;TZID=America/Detroit:20260312T220000
DTSTAMP:20260119T173258Z
CREATED:20251217T180549Z
LAST-MODIFIED:20260119T173258Z
UID:10000203-1773342000-1773352800@bluellamaclub.com
SUMMARY:New Nostalgia
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/new-nostalgia/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/new-nostalgia.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260311T190000
DTEND;TZID=America/Detroit:20260311T213000
DTSTAMP:20260302T154808Z
CREATED:20251217T175914Z
LAST-MODIFIED:20260302T154808Z
UID:10000202-1773255600-1773264600@bluellamaclub.com
SUMMARY:Mercer Patterson Quintet
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/mercer-patterson-quintet-2/
ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/MercerPattersonBNW.jpg-sqLg.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260308T180000
DTEND;TZID=America/Detroit:20260308T203000
DTSTAMP:20260223T164621Z
CREATED:20251217T175654Z
LAST-MODIFIED:20260223T164621Z
UID:10000201-1772992800-1773001800@bluellamaclub.com
SUMMARY:Anthony Stanco Quintet
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/anthony-stanco-2/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/anthony-stanco.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260307T190000
DTEND;TZID=America/Detroit:20260307T220000
DTSTAMP:20260223T164215Z
CREATED:20251226T171135Z
LAST-MODIFIED:20260223T164215Z
UID:10000200-1772910000-1772920800@bluellamaclub.com
SUMMARY:Tatiana Eva-Marie
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/tatiana-eva-marie/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/tatiana-.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260306T190000
DTEND;TZID=America/Detroit:20260306T220000
DTSTAMP:20260302T183945Z
CREATED:20251217T175516Z
LAST-MODIFIED:20260302T183945Z
UID:10000199-1772823600-1772834400@bluellamaclub.com
SUMMARY:Don Hicks & Friends
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/don-hicks-and-friends-2/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/09/don-hicks.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260306T160000
DTEND;TZID=America/Detroit:20260306T180000
DTSTAMP:20260306T145050Z
CREATED:20260122T174212Z
LAST-MODIFIED:20260306T145050Z
UID:10000248-1772812800-1772820000@bluellamaclub.com
SUMMARY:WEMU 5:01 Jazz Series: Ellen Rowe
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/501-ellen-rowe/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/08/ellen-rowe.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260305T190000
DTEND;TZID=America/Detroit:20260305T220000
DTSTAMP:20260224T212030Z
CREATED:20260129T152130Z
LAST-MODIFIED:20260224T212030Z
UID:10000247-1772737200-1772748000@bluellamaclub.com
SUMMARY:Bria Skonberg
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/bria-skonberg/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/01/bria-skonberg.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260304T190000
DTEND;TZID=America/Detroit:20260304T213000
DTSTAMP:20260223T162221Z
CREATED:20251217T175405Z
LAST-MODIFIED:20260223T162221Z
UID:10000222-1772650800-1772659800@bluellamaclub.com
SUMMARY:Alex Anest Trio
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/alex-anest-trio/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/alex-anest.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260301T180000
DTEND;TZID=America/Detroit:20260301T203000
DTSTAMP:20260216T164203Z
CREATED:20260107T172132Z
LAST-MODIFIED:20260216T164203Z
UID:10000221-1772388000-1772397000@bluellamaclub.com
SUMMARY:Jazz & Poetry with One Single Rose
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/jazz-poetry-with-one-single-rose/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/One-Single-Rose.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260228T190000
DTEND;TZID=America/Detroit:20260228T220000
DTSTAMP:20260216T163744Z
CREATED:20251215T192817Z
LAST-MODIFIED:20260216T163744Z
UID:10000198-1772305200-1772316000@bluellamaclub.com
SUMMARY:Chico Pinheiro + Kzoo Jazz Project
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/chico-pinheiro-kzoo-jazz-project/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/chico-pinheiro.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260227T190000
DTEND;TZID=America/Detroit:20260227T213000
DTSTAMP:20260216T163315Z
CREATED:20260119T171905Z
LAST-MODIFIED:20260216T163315Z
UID:10000197-1772218800-1772227800@bluellamaclub.com
SUMMARY:Kahil El'Zabar's Ethnic Heritage Ensemble
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/kahil-el-zabar/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/kahil-el-zabar.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260226T190000
DTEND;TZID=America/Detroit:20260226T213000
DTSTAMP:20260216T162719Z
CREATED:20251215T192530Z
LAST-MODIFIED:20260216T162719Z
UID:10000218-1772132400-1772141400@bluellamaclub.com
SUMMARY:Houston Patton & Hidden Nomination
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/houston-patton-hidden-nomination-2/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/08/houston-patton.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260225T190000
DTEND;TZID=America/Detroit:20260225T213000
DTSTAMP:20260216T162058Z
CREATED:20260105T185307Z
LAST-MODIFIED:20260216T162058Z
UID:10000234-1772046000-1772055000@bluellamaclub.com
SUMMARY:Ramona Collins Quartet
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/ramona-collins-quartet/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/01/ramona-collins.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260222T180000
DTEND;TZID=America/Detroit:20260222T203000
DTSTAMP:20260209T163523Z
CREATED:20260107T161929Z
LAST-MODIFIED:20260209T163523Z
UID:10000236-1771783200-1771792200@bluellamaclub.com
SUMMARY:Jordan Anderson Trio
DESCRIPTION:Sun | Aug 16	\n\n	\n		\n			Braxton Cook\n	\n	\n\n\n	\n		\n	Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n			\n	\n	\n		\n\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n			About the Artist\n	\n	\n\n\n\n	\n\n\n			\n	\n\n			\n	\n	\n		\n	When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n	\n\n\n\n			\n	\n	\n		\n	\n					\n					\n	\n	\n\n\n	\n		RESERVE TABLE(opens in new tab)	\n\n\n\n	\n\n\n	\n		\n	\n\n\n	\n						\n		\n\n			\n	\n	\n			\n\n\n\n			\n	\n	\n			\n\n\n\n	\n		\n	\n\nLEARN MORE
URL:https://bluellamaclub.com/event/jordan-anderson-trio/
ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/01/jordan-anderson.png
END:VEVENT
END:VCALENDAR