BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Blue LLama - ECPv6.17.2//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://bluellamaclub.com X-WR-CALDESC:Events for Blue LLama REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Detroit BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20270314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20271107T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260531T180000 DTEND;TZID=America/Detroit:20260531T203000 DTSTAMP:20260225T153654Z CREATED:20260225T153654Z LAST-MODIFIED:20260225T153654Z UID:10000286-1780250400-1780259400@bluellamaclub.com SUMMARY:The NOW Trio ft. Travis Aukerman DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/the-now-trio-3/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/02/the-now-trio.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260603T190000 DTEND;TZID=America/Detroit:20260603T213000 DTSTAMP:20260512T131656Z CREATED:20260310T192226Z LAST-MODIFIED:20260512T131656Z UID:10000280-1780513200-1780522200@bluellamaclub.com SUMMARY:Tristan Cappel Quintet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/tristan-cappel-quintet/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/03/tristan-cappel-2.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260604T190000 DTEND;TZID=America/Detroit:20260604T220000 DTSTAMP:20260601T160517Z CREATED:20260406T162029Z LAST-MODIFIED:20260601T160517Z UID:10000298-1780599600-1780610400@bluellamaclub.com SUMMARY:Edmar Castaneda DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/edmar-castaneda/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/03/edmar-castaneda.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260605T190000 DTEND;TZID=America/Detroit:20260605T220000 DTSTAMP:20260601T160626Z CREATED:20260413T185021Z LAST-MODIFIED:20260601T160626Z UID:10000301-1780686000-1780696800@bluellamaclub.com SUMMARY:Matt Von Roderick ft. Robert Hurst & Kenny Werner DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/matt-von-roderick/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/03/matt-von-roderick.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260606T190000 DTEND;TZID=America/Detroit:20260606T220000 DTSTAMP:20260526T152208Z CREATED:20260129T154259Z LAST-MODIFIED:20260526T152208Z UID:10000253-1780772400-1780783200@bluellamaclub.com SUMMARY:Straight Ahead DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/straight-ahead-7/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/08/straight-ahead.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260607T180000 DTEND;TZID=America/Detroit:20260607T203000 DTSTAMP:20260518T162420Z CREATED:20260310T192432Z LAST-MODIFIED:20260518T162420Z UID:10000291-1780855200-1780864200@bluellamaclub.com SUMMARY:Alain Sullivan's SoulHeart Collective DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/alain-sullivans-soulheart-collective-2/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/12/AlainSullivanBNW.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260610T190000 DTEND;TZID=America/Detroit:20260610T220000 DTSTAMP:20260327T164022Z CREATED:20260327T163907Z LAST-MODIFIED:20260327T164022Z UID:10000305-1781118000-1781128800@bluellamaclub.com SUMMARY:James Gaiters Quartet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/james-gaiters-quartet/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/03/james-gaiters.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260611T190000 DTEND;TZID=America/Detroit:20260611T220000 DTSTAMP:20260310T192930Z CREATED:20260310T192930Z LAST-MODIFIED:20260310T192930Z UID:10000292-1781204400-1781215200@bluellamaclub.com SUMMARY:Kasan Belgrave DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/kasan-belgrave/ ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/KasanBelgrave-Newcropped.jpg-sqLg.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260612T190000 DTEND;TZID=America/Detroit:20260612T220000 DTSTAMP:20260519T170016Z CREATED:20260310T193050Z LAST-MODIFIED:20260519T170016Z UID:10000281-1781290800-1781301600@bluellamaclub.com SUMMARY:Jordan VanHemert Sextet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/jordan-vanhemert/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/02/tristan-cappel-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260612T220000 DTEND;TZID=America/Detroit:20260612T233000 DTSTAMP:20260612T195105Z CREATED:20260527T201146Z LAST-MODIFIED:20260612T195105Z UID:10000327-1781301600-1781307000@bluellamaclub.com SUMMARY:Late Night: Don Hicks & Friends DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/late-night-don-hicks-and-friends/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/09/don-hicks.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260613T190000 DTEND;TZID=America/Detroit:20260613T220000 DTSTAMP:20260611T193953Z CREATED:20260310T193355Z LAST-MODIFIED:20260611T193953Z UID:10000282-1781377200-1781388000@bluellamaclub.com SUMMARY:Sean Dobbins All-Star Quintet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/sean-dobbins-6/ ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/SeanDobbinsBNW.jpg-sqLg.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260614T180000 DTEND;TZID=America/Detroit:20260614T203000 DTSTAMP:20260612T170835Z CREATED:20260310T193516Z LAST-MODIFIED:20260612T170835Z UID:10000279-1781460000-1781469000@bluellamaclub.com SUMMARY:Nick Collins Trio DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/nick-collins-trio-2/ ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/nick-collins.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260617T190000 DTEND;TZID=America/Detroit:20260617T213000 DTSTAMP:20260316T155142Z CREATED:20260316T155142Z LAST-MODIFIED:20260316T155142Z UID:10000300-1781722800-1781731800@bluellamaclub.com SUMMARY:Third Coast Swing DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/third-coast-swing-2/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/08/third-coast-swing.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260618T190000 DTEND;TZID=America/Detroit:20260618T213000 DTSTAMP:20260612T182618Z CREATED:20260310T195017Z LAST-MODIFIED:20260612T182618Z UID:10000293-1781809200-1781818200@bluellamaclub.com SUMMARY:Hannah Marks Quartet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/hannah-marks/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/03/hannah-marks-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260619T190000 DTEND;TZID=America/Detroit:20260619T220000 DTSTAMP:20260612T183158Z CREATED:20260420T154520Z LAST-MODIFIED:20260612T183158Z UID:10000283-1781895600-1781906400@bluellamaclub.com SUMMARY:Joan Belgrave's Marcus Belgrave 90th Birthday Celebration DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/joan-belgrave-2/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/04/Joan-Belgrave-90th-w-Lin-Rountree.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260620T190000 DTEND;TZID=America/Detroit:20260620T213000 DTSTAMP:20260617T205600Z CREATED:20260326T195555Z LAST-MODIFIED:20260617T205600Z UID:10000304-1781982000-1781991000@bluellamaclub.com SUMMARY:Keigo Hirakawa Quartet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/keigo-hirakawa-quartet/ ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/07/hands.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260621T180000 DTEND;TZID=America/Detroit:20260621T203000 DTSTAMP:20260611T194330Z CREATED:20260310T195301Z LAST-MODIFIED:20260611T194330Z UID:10000294-1782064800-1782073800@bluellamaclub.com SUMMARY:Rossano Sportiello Trio ft. Paul Keller & Ed Metz DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/rossano-sportiello-trio-ft-paul-keller-ed-metz/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/03/rossano-sportiello.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260624T190000 DTEND;TZID=America/Detroit:20260624T213000 DTSTAMP:20260624T181212Z CREATED:20260310T195532Z LAST-MODIFIED:20260624T181212Z UID:10000295-1782327600-1782336600@bluellamaclub.com SUMMARY:Chuck Redd DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/chuck-redd/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/03/chuck-redd.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260625T190000 DTEND;TZID=America/Detroit:20260625T213000 DTSTAMP:20260310T195716Z CREATED:20260310T195716Z LAST-MODIFIED:20260310T195716Z UID:10000274-1782414000-1782423000@bluellamaclub.com SUMMARY:Michael Malis Quartet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/michael-malis/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/02/michael-malis-.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260626T160000 DTEND;TZID=America/Detroit:20260626T180000 DTSTAMP:20260625T143515Z CREATED:20260316T160640Z LAST-MODIFIED:20260625T143515Z UID:10000297-1782489600-1782496800@bluellamaclub.com SUMMARY:Happy Hour: University of Michigan Jazz Ambassadors DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/university-of-michigan-jazz-ambassadors/ ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/UofMJazzAmbassadorsBNW.png.jpg-sqLg.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260626T190000 DTEND;TZID=America/Detroit:20260626T220000 DTSTAMP:20260323T202715Z CREATED:20260310T195823Z LAST-MODIFIED:20260323T202715Z UID:10000296-1782500400-1782511200@bluellamaclub.com SUMMARY:Marion Hayden Legacy Ensemble DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/marion-hayden-legacy-ensemble/ ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/03/marion-hayden.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260627T190000 DTEND;TZID=America/Detroit:20260627T213000 DTSTAMP:20260310T200032Z CREATED:20260310T200032Z LAST-MODIFIED:20260310T200032Z UID:10000284-1782586800-1782595800@bluellamaclub.com SUMMARY:Olivia Van Goor Quartet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/olivia-van-goor-quartet-4/ ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/OliviaVanoorBNW2.jpg-sqLg.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260628T190000 DTEND;TZID=America/Detroit:20260628T220000 DTSTAMP:20260617T184214Z CREATED:20260319T162427Z LAST-MODIFIED:20260617T184214Z UID:10000302-1782673200-1782684000@bluellamaclub.com SUMMARY:Erena Terakubo Quartet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/erena-terakubo/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/06/erena.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260701T190000 DTEND;TZID=America/Detroit:20260701T213000 DTSTAMP:20260504T181927Z CREATED:20260504T181927Z LAST-MODIFIED:20260504T181927Z UID:10000321-1782932400-1782941400@bluellamaclub.com SUMMARY:Arnold/Jassi/Kramer: World Transcendence DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/arnold-jassi-kramer-2/ ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/ArnoldJassiKramerBNW.png.jpg-sqLg-1.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260702T190000 DTEND;TZID=America/Detroit:20260702T213000 DTSTAMP:20260616T190005Z CREATED:20260424T181635Z LAST-MODIFIED:20260616T190005Z UID:10000315-1783018800-1783027800@bluellamaclub.com SUMMARY:Nicole Heitger Quartet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/nicole-heitger-quartet-3/ ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/NicoleHeitgerBNW2.jpg-sqLg.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260708T190000 DTEND;TZID=America/Detroit:20260708T213000 DTSTAMP:20260618T152755Z CREATED:20260527T191458Z LAST-MODIFIED:20260618T152755Z UID:10000322-1783537200-1783546200@bluellamaclub.com SUMMARY:Kahil El'Zabar & David Murray DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/kahil-el-zabar-david-murray/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/05/kahil-david.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260709T190000 DTEND;TZID=America/Detroit:20260709T213000 DTSTAMP:20260625T172051Z CREATED:20260427T165347Z LAST-MODIFIED:20260625T172051Z UID:10000316-1783623600-1783632600@bluellamaclub.com SUMMARY:Ken Kozora Quartet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/ken-kozora-quartet-3/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2026/04/ken-kozora-group.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260710T190000 DTEND;TZID=America/Detroit:20260710T213000 DTSTAMP:20260530T011014Z CREATED:20260512T193418Z LAST-MODIFIED:20260530T011014Z UID:10000325-1783710000-1783719000@bluellamaclub.com SUMMARY:Noah Hogan Quartet DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/noah-hogan-2/ ATTACH;FMTTYPE=image/png:https://bluellamaclub.com/wp-content/uploads/2025/08/noah-hogan.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260711T190000 DTEND;TZID=America/Detroit:20260711T220000 DTSTAMP:20260427T170120Z CREATED:20260427T170120Z LAST-MODIFIED:20260427T170120Z UID:10000317-1783796400-1783807200@bluellamaclub.com SUMMARY:Sean Dobbins Organ Trio ft. Rob Dixon DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/sean-dobbins-7/ ATTACH;FMTTYPE=image/webp:https://bluellamaclub.com/wp-content/uploads/2025/06/SeanDobbinsBNW.jpg-sqLg.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Detroit:20260712T180000 DTEND;TZID=America/Detroit:20260712T203000 DTSTAMP:20260624T181410Z CREATED:20260427T170524Z LAST-MODIFIED:20260624T181410Z UID:10000318-1783879200-1783888200@bluellamaclub.com SUMMARY:The Triumvirate DESCRIPTION:Sun | Aug 16 \n\n \n \n Braxton Cook\n \n \n\n\n \n \n Sets 6pm & 8pm\n$85 Dinner & Show\n$40 Cover Only \n\n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n \n \n \n\n \n \n\n\n\n \n\n\n \n \n \n \n About the Artist\n \n \n\n\n\n \n\n\n \n \n\n \n \n \n \n When the vocalist and multi-instrumentalist Braxton Cook first started working on the album that would become Not Everyone Can Go\, his life was going through a number of transitions that he just couldn’t ignore. Last year\, Cook spent lots of time on the road — in Europe and Asia\, along with two United States tours. “I was just very busy\, and trying to juggle that with family\, it was a lot to manage\,” Cook said. In a moment of self-reflection\, he looked back on the past year\, noticed a theme emerging\, and came to this conclusion: It was OK to let go of things that weren’t serving him any longer. Transitions were natural as he stepped into fatherhood. “It was only pushing me more in that direction of understanding\,” he continued. “There’s grief that comes along with having to let certain things go to make time for the things I truly value.” \nOne can hear Cook breaking through on Not Everyone Can Go\, a mix of jazz and R&B that feels indebted to similar hybrids of yesteryear. Musically\, the album conjures images of bright evening sunshine\, when the temperature begins to cool. Not quite Quiet Storm\, instead\, Not Everyone Can Go dabbles between the margins\, which won’t surprise those who’ve followed Cook to this point. Across albums like Somewhere In Between\, No Doubt and Who Are You When No One Is Watching?\, he’s made a career of blurring the lines between genres\, landing on a sound that isn’t one thing\, in particular. While that’s made his music tough to pin down\, that also makes it all the more intriguing. That you can’t label it just R&B or just jazz lends to the music’s attraction. \nThe making of the album also represents a breakthrough for Cook. It was the most collaborative process of his career where he further integrated into his musical network in Los Angeles. Vocal features include NNAVY (“Weekend”) and Marie Dahlstrom (“All My Life”)\, and additional producers include Bubele on “Bad\,” Austin Brown of Hablot Brown on “We’ve Come So Far”\, and bassist Kaveh Ragestar (Kneebody) on “All My Life.” Musically\, he and his bandmates would improvise and let the energy flow however it needed. One can hear this free-flow on the album’s instrumental tracks — “Zodiac\,” “Kingdom Come\,” “My Sun” (featuring Elijah Cook)\, and “Josh’s Tune.” \nLyrically\, parts of the album address Cook’s realization that life will get better\, that even though it’s challenging right now\, “the future is bright\,” as he sings on the track “My Everything\,” the album’s first single. “It’s about a man who continued to selfishly follow his own dreams at the sake of missing the big picture\,” Cook said. “And I’m telling myself\, ‘We’re going to work through a rough patch here\, but things will turn around.” To emphasize that creative focus\, Not Everyone Can Go follows the trek of conflict\, from where a romantic relationship is going through challenges to when the couple makes it to the other side. The album soundtracks that journey without placing blame on one person or the other. Rather\, Cook assesses his own role in the disconnect\, as if doing the necessary self work to show up fully for his significant other. “I put ‘My Everything’ near the beginning to establish the conflict\,” he said. “Then we work our way through it. By the time we get to ‘We’ve Come So Far\,’ it’s a moment of gratitude and a breath in the record — a pop song that’s like\, ‘Wait a second\, we’re going to be alright.’” \n The album’s second half incorporates love songs about the rediscovery of affection. The track “Bad\,” which takes sonic cues from late-‘90s R&B\, with its slow\, body-rolling pace and lush electric keys\, finds Cook singing about dating his partner with renewed romance. The same goes for “All My Life.” Here\, the singer sounds transfixed\, akin to the time when you see your partner again\, after the storm has passed and the connection feels fresh once more. These songs speak to the kind of cycle found in most relationships\, when the day-to-day gets shaky and serious decisions need to be made. But where some decide to part ways in search of someone new\, Cook\, through these songs\, opts to fight for love. Because the partnership is too genuine and there’s a lot of history at stake. “The last part of the album is the action for me\,” Cook said. “It’s the act of rebuilding these relationships the way that I want and the way that I see them\, and that's what those love songs are about. ‘Bad’ is very much about taking my wife back out on a date. As if we were just courting each other all over again.” \nUltimately\, though\, Not Everyone Can Go is about embracing change\, that when seasons arrive where moves are inevitable\, you have to lean into them. \n\n \n\n\n\n \n \n \n \n \n \n \n \n \n\n\n \n RESERVE TABLE(opens in new tab) \n\n\n\n \n\n\n \n \n \n\n\n \n \n \n\n \n \n \n \n\n\n\n \n \n \n \n\n\n\n \n \n \n\nLEARN MORE URL:https://bluellamaclub.com/event/the-triumvirate-4/ ATTACH;FMTTYPE=image/jpeg:https://bluellamaclub.com/wp-content/uploads/2025/08/IMG_4707.jpeg END:VEVENT END:VCALENDAR